Infernopunk

bosch-inferno

If infernopunk isn’t yet the name of a genre of works inspired somehow by Dante’s Inferno (or, more generally, the medieval conception of hell), …  it should be.  And because someone is going to ask, perhaps the punk implies some kind of post/modern rather than medieval sensibility in approaching the subject and themes surrounding hell. Done.

What are some examples of infernopunk [in video games]? The big one: Id’s Doom.  But the latest I’ve been paying a little attention to in the indie game world is Vic Davis’ Solium Infernum. Outside of video games, there are all kinds of movies and comic books — Hellboy? — , and literature: I think of the Niven/Pournell novel Inferno or Blish’s Black Easter, though I think both of those stick to what is fundamentally a medieval hell upsetting modern sensibilities (which is itself perhaps postmodern?).

Or here’s an angle: Look at what made Blizzard North’s Diablo, the first one in the series, but not Diablo 2 so much — I’d contend that perhaps the difference between the two is that the former is somehow much more infernopunk than the latter (which is a subject fit for its own post). Or, in counterpoint, does Diablo play inferno straight and therefore not count as punk?

… This all came to me this morning reading an infernopunk game idea by some fellow on the GameDev forums and I couldn’t believe that infernopunk didn’t show up on Google. So I had to say it first.

[Image from “Hell“, a painting by Bosch ]

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One Response to “Infernopunk”

  1. Nato Welch Says:

    punk! the immortal suffix!

    Anne Rice’s Memnoch the Devil.
    Robin Williams in What Dreams May Come.

    meh.

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